The block can be used to play the cata part for rumba or the block part for cumbia, depending on the style of the song. The original blocks were made of wood, but most of the blocks on modern setups are plastic. BlockĬlave is the main rhythm played on the block. The large cowbell is called the mambo bell, and its pattern is more syncopated and varied (see Timbale Grooves below). The cha cha bell is the small cowbell, and it is used to play the downbeat accented pattern for the cha cha cha. Most timbale setups have a small cowbell and a large cowbell. In other words, the strokes played with the hand can easily get lost in a large Latin jazz ensemble, but they are still felt in the groove. These strokes with the hand are an older approach to playing timbales and work well in quieter settings. Some of the grooves shown below include strokes on the low drum that are played with the fingers. Not all of the sounds are made with the sticks. Go with what sounds good over strict rule. This could be the sound you want, or perhaps you want the shell to ring a little. If the stick stays in contact with the shell after striking it, the resonance of the shell is dampened. The shell of the drum, also called pailas, can be played by hitting it and leaving the stick on the shell or letting it rebound away from the shell. It will cut through the band and establish a contrast between the non rimshot hits and the low drum sound. Use the rimshots as an accent to play fills and different solo figures. They are created when you play the rim of the drum with the head at the same time, especially with the end of the stick close to the edge. The low drum generally sounds better with the dead center approach, and the high drum is mostly played closer to the edge. The drums can be struck in the center of the head for a sound that does not ring as much or near the edge where the waves will travel farther across the head before canceling out. A fifth is the first two long notes of the Star Wars theme song. The interval of a fourth can be tuned relatively by using the first two notes of “Here Comes the Bride” - between “here” and “comes” is a perfect fourth. If you like the sound of one interval over another, go with it. The debate over whether the drums should be a fourth apart or a fifth is a matter of personal preference. For example, the songo (see below) requires a kick drum. This creates a sort of hybrid drum set and timbale setup that opens new opportunities to play different grooves. Many modern setups include a kick and snare drum. The high drum is aggressive like a male, and the low drum is warm like a female. Like bongo, timbales are named with male and female identities because of the West African tradition of naming drums that come in sets of twos. Most timbales are comprised of a 14 inch macho (male) drum on the right and a 15 inch hembra (female) on the left.
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